Habbestad, B. (2022). Chasing the collaborative: Critical studies of performer agency in modern flute music [Doctoral dissertation, Norwegian Academy of Music].
Habbestad, B. (2022). How far has the musical avant-garde been defined by experiments in collaborative creativity, and in what ways can these experimental practices convey a political dimension (utopian or otherwise)? [Trial lecture, Norwegian Academy of Music, unpublished].
Habbestad, B. (2020). Negotiations in Space and Time. About the Porous in Sound Art. In: Lydgalleriet Retrospective. 2005-2020. [Digital publication].
Habbestad, B. (2019). Working together: An interview with Roberto Fabbriciani. Music & Practice, 4.
Habbestad, B. (2017). No Flute Is an Island, Entire of Itself. Transgressing Performers, Instruments and Instrumentality in Contemporary Music. In: Bovermann, T., de Campo, A., Egermann, H., Hardjowirogo, SI., Weinzierl, S. (eds) Musical Instruments in the 21st Century. Springer, Singapore.
Habbestad, B., Carey, J. (2017). Instrumental modality: On wanting to play something. In: Bovermann, T., de Campo, A., Egermann, H., Hardjowirogo, SI., Weinzierl, S. (eds) Musical Instruments in the 21st Century. Springer, Singapore.
Habbestad, B., Duch M.F. (2015). Rethinking the relationship between rehearsal and performance in an improvising ensemble. [Conference paper at VS Interpretation, Prague 2014].
Habbestad, B., P. Baltazar (2010). Unruhige Räume – Spatial Electro-Acoustic Composition Through A Collaborative Artistic Research Process. [Paper at International Computer Music Conferance 2010]
Artistic research expositions
Habbestad, B., Tafjord, H. S., Duch, M. F., & Grenager, L. (2018). Å lage et Lemuria. VIS – Nordic Journal for Artistic Research, 13.
Røed, E.J., Habbestad, B. (2024). Appartment portraits. Artistic research projected embedded in Image as Site, Stockholm University of the Arts.
Røed, E.J., Habbestad, B. (2024). Unarchiving Nono. Artistic research projected embedded in Image as Site. Stockholm University of the Arts.