After dark, on Saturday nights, towns and cities transform from daytime hubs for shoppers, café-goers, sightseers and businesses, into a night where the societal rules change. Traverse the darkly lit streets, hearing our way around stone buildings and partygoers revelling behind half open doors, curious yet with a sense of excited fear, chameleon like, attempting to camouflage and escape detection.

Between 2015 and 2018, I collaborated with Natasha on a new piece where we tried to fuse some of my particular performance and microphone techniques with her vast, immersive sonic landscapes. The result was a piece for  three different flutes, set in an abruptly changing electronic environment.

A stereo version of the piece is availble here.
Loads of info on Natashas work also on her website – > here.