“All festivals should study how Only Connect creates its program. Audiences are taken on a total experience and emerge with new perspectives on space, sound, and life.”
– Torkjell Hovland, Ballade, May 6, 2022
Bjørnar Habbestad’s curatorial practice spans experimental music, sound art, and interdisciplinary formats. His artistic collaborations are marked by a deep commitment to sonic exploration, striving to support artitic ideas with production excellence in order to create experiences and spaces for radical listening.
- Only Connect (2018)
- Only Connect (2019)
- Only Connect – From a Safe Distance (2020)
- Only Connect – Come What May (2021)
- Only Connect Oslo (2022)
- Only Connect Trondheim (2023)
- Only Connect Oslo (2024)
- Only Connect Stavanger (2025)
Selected projects
– Pat Thomas – Artist-in-Residence (2025): Commissioned Madad for Kitchen Orchestra, duo concert with Mark Knoop, and lecture-performance Between the Notes.
– Unboxing Music / Writing in Circles (2025): Installations and performances with Alwynne Pritchard, Cathy van Eck, Sarah Saviet, Jack Sheen, and others.
– KORK+ (2024): Orchestral program spanning acoustic noise, meditative textures, and stylistic collage. Featuring Mofakham, Miller, Rezaei, Ilan Volkov, and ABYSS.
– Particular.Universal (2024): Sound art exhibition co-curated with Monica Holmen. Works by Signe Lidén, Erik Dæhlin, Jiska Huizing, and more.
– Orchestra of Futurist Noise Intoners (2022–23): Commissioned works for Russolo’s Intonarumori, with tours in Norway and Poland.
– UngKurator / Handbook of Wellbeing (2022–25): Platform for emerging curators and composers, mentoring Maia Viken, Luis F. Amaya, Laura Kumwenda.
– Gebrokken – We Listen Together (2022): Sound walk for Only Connect Oslo, exploring urban identity through voice and electroacoustic music.
– KinoKammer (2021): 10-channel audiovisual premieres by Lasse Marhaug and Vicky Bennett, co-produced with Black Box Teater and Recombinant Media Labs.
– Ekeberg kaller! (2020): Outdoor concert in Ekebergparken with music by George Lewis, Ruth Anderson, and Wolfgang Plagge. Featuring Mads Kjeldgaard, David Morton, and Oslo Brassband.
– TEIP (2018): Mini-festival on tape-based experimental music. More info
– Listening to Gerard Grisey (2018): Norwegian premiere of Megalithes and a new commentary piece by Anders Tveit. Performed by NyNorsk Messingkvintett and Brasskompaniet, conducted by Haldis Rønning. More info